Walkies with my dog require paying attention. We begin the walk with a run, then come to an abrupt halt for a tinkle. Her nose dictates the speed of the walkie – from slow strolls where every blade of grass is sniffed to brisk walks on the scent of some beast who dared to cross the pee line. Eventually, I grow weary of the manic pace and ask her to pick a speed – run or walk. Nothing in between. (She ignores me.)
An element of writing is the same for me. Setting the right pace makes all the difference. As I edit the sequel, Through the Mist: Reunion, I watch closely for scenes or even sentences that grind the story to a halt. I am much more aggressive in this book than I was with the first one. With Through the Mist: Restoration, I held tightly to certain scenes until the very end. At long last, I cut them, and the story was better for it.
At this point, I fear the first section of the book will meet a similar end. It just isn’t working. Since this section determines whether or not you will keep reading, it must have the proper pace. Otherwise, you will stop reading and will not get to the juicy stuff that happens later in the book.
Of course, the real challenge here is that the first section of any book usually lays the groundwork for the story. The reader needs basic information. Who is this person? Why is she acting this way? What happened in the last book, because I don’t know why I should care about this story? I must give you as much information as I can, yet at a pace that will keep you interested.
Solving this problem is much more fun than the silly stuff that happens at my day job. Thank you for your continued patience as I continue to edit the sequel. I have said it many times. I want to give you something worth your time and money.
If any fellow writers are reading this post, I would love to hear your thoughts about how you tackle this problem.